![]() ![]() The listen-hear experience exceeds the 'look-see-coupling' by far. Key figure 'Cau No' disappears in a vortex of hypnotic overtones. Possibilities and confusion about one's own point of view is the theme, dreamed technological achievements like the 'Cortical Current' and the time confusions they produce are recreated with sequencers. This sounds in a title like 'Counterfeit World', the fake world. ![]() The 'busybodies' Leander Reininghaus, Bernhard Wöstheinrich and Andreas von Garnier pack their 2020's equipment to go back to the 1970s and dream of an exciting future that seemed possible at the time - Buckminster Fuller was on board the spaceship Earth at the time - which is obviously different from the one that has come. In the music of TaboTago, which is influenced by and pays tribute to the band Tangerine Dream, the distinction between original and copy, model and image, reality and imagination is impossible - a mirror image without an original. ![]() The French theorist Jean Baudrillard uses Borges’s story as a metaphor for his notion of the simulacrum, which probably explains why. ![]() Galouye of the same name, and even more inspired by Rainer Werner Fassbinder's film "Welt am Draht - World on a Wire", which also goes back to the novel. Like the full-scale map in Borges’s short story On Exactitude in Science, the representation takes on the dimensions of reality to the point of replacing it. Simulacron, the new album released by the very young electro-elders of TaboTago is program music to the book by Daniel F. ![]()
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